Rhiannon Frater’s As the World Dies trilogy is an internet sensation. The first two books, The First Daysand Fighting to Survive, have won the Dead Letter Award for Best Novel from Mail Order Zombie. The First Days was named one of the Best Zombie Books of the Decade by the Harrisburg Book Examiner. AmericanHorrorBlog calls Rhiannon Frater “a writer to watch.”
The morning that the world ends, Katie is getting ready for court and housewife Jenni is taking care of her family. Less than two hours later, they are fleeing for their lives from a zombie horde.
Thrown together by circumstance, Jenni and Katie become a powerful zombie-killing partnership, mowing down zombies as they rescue Jenni’s stepson, Jason, from an infected campground.
They find sanctuary in a tiny, roughly fortified Texas town. There Jenni and Katie find they are both attracted to Travis, leader of the survivors; and the refugees must slaughter people they know, who have returned in zombie form.
Fast-paced and exciting, filled with characters who grab your heart, The First Days: As the World Dies is the beginning of a frightening trilogy.
She isn’t sure which is worse—not knowing who she is, or learning the truth.
After waking up naked and alone but with no memory of her past, the girl called Ann would rather not know what happened to her. The horrific scars covering her body tell a tale of terror she is sure she would rather forget forever. But to the doctors and benefactors overseeing her care, the possibly sordid details of her past are too enticing to ignore. She is forced to undergo a hypnosis session to unlock the secrets of her past.
But once that door is open, it is impossible to close.
The memories Ann recall are scant except for one—her name is Eve. And the man who inflicted the damage upon her body gave her that name. One at a time, the doors of Eve’s mind open, and she cannot help but walk through them, revealing horror after horror until she is no longer sure who the real monster is.
Fans of Mary Shelly’s Frankenstein and Margret Atwood’s Alias Grace are sure to love this blend of Gothic and horror from the pen of Leigh Anderson.
Curtis Aisling has literally dodged a bullet. At least he thinks he has. But he wonders whether that bullet still has it out for him when he leaves his ex-fiancé and Los Angeles behind for Coronado, New Mexico to borrow some much-needed money from his sister.
The small dilapidated desert town of Coronado has exactly one mansion, belonging to 92-year-old Veronica Meeks. Curtis’s sister, Dia, and her partner, Araceli, are Veronica’s live-in caretakers and while they are delighted to have a visitor, Veronica doesn’t even know he’s there. In the final stages of what the locals call “the reminisce,” she is no longer aware of her surroundings. But when Curtis starts seeing things that no one else does, he’s not convinced that the old, unresponsive woman is as disconnected as everyone thinks.
At times what should be empty rooms within the huge house appear filled with furniture, and music emanates from a dusty radio that has been packed away for ages. Tales of Veronica’s associations and connections with the occult lead Curtis to believe she is causing the ghostly occurrences. But when people begin to appear in those phantom rooms—people from her past including Veronica herself—he’s no longer certain it is her doing.
Each vision pulls Curtis further and further back, each one detailing a consequential moment in Veronica’s long life, until he begins to fear he could become lost in her past.
And then there’s that bullet…
RELEASED JUNE 6, 2017
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Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a 17th century woman whose eyes and mouth are sewn shut. Muzzled, she walks the streets and enters your homes at will. She stands next to your bed for nights on end. Everybody knows that her eyes may never be opened.
The elders of Black Spring have virtually quarantined the town by using high-tech surveillance to prevent their curse from spreading. Frustrated with being kept in lockdown, the town’s teenagers decide to break their strict regulations and go viral with the haunting, but in so doing send the town spiraling into the dark, medieval practices of the past.
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Here are the confessions of a vampire. Hypnotic, shocking, and chillingly erotic, this is a novel of mesmerizing beauty and astonishing force—a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.
Maren Yearly is a young woman who wants the same things we all do. She wants to be someone people admire and respect. She wants to be loved. But her secret, shameful needs have forced her into exile. She hates herself for the bad thing she does, for what it’s done to her family and her sense of identity; for how it dictates her place in the world and how people see her–how they judge her. She didn’t choose to be this way.
Because Maren Yearly doesn’t just break hearts, she devours them. Ever since her mother found Penny Wilson’s eardrum in her mouth when Maren was just two years old, she knew life would never be normal for either of them. Love may come in many shapes and sizes, but for Maren, it always ends the same–with her hiding the evidence and her mother packing up the car.
But when her mother abandons her the day after her sixteenth birthday, Maren goes looking for the father she has never known, and finds much more than she bargained for along the way.
Faced with a world of fellow eaters, potential enemies, and the prospect of love, Maren realizes she isn’t only looking for her father, she’s looking for herself.
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New horror from Rhiannon Frater: in the dead spots, dreams become reality, terror knows your name, and nightmares can kill.
The stillbirth of Mackenzie’s son destroyed her marriage. Grieving, Mac reluctantly heads for her childhood home to seek refuge with her mother, who constantly reminds her of life’s dangers.
Driving across Texas, Mac swerves to avoid hitting a deer…and winds up in a dead spot, a frightening place that lies between the worlds of the living and the dead. If they can control their imaginations, people can literally bring their dreams to life—but most are besieged by fears and nightmares which pursue them relentlessly.
Mackenzie’s mother and husband haunt her, driving her to the brink of madness. Then she hears a child call for help and her maternal instincts kick into overdrive. Grant, Mac’s ally in the dead spots, insists Johnny is a phantom, but the boy seems so real, so alive….
As the true horrors of the dead spots are slowly revealed, Mackenzie realizes that time is running out. But exits from the dead spots are nearly impossible to find, and defended by things almost beyond imagination.
RELEASED FEB 24TH!
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The Arvy threat worsens each day. They continue to destroy the hives vital fuel resources, leaving us with one option—evacuate to the largest government bunker, located in South Dakota. The injured hive members are moved as first priority, but a disastrous even occurs on the way to our drop-off zone. We find ourselves in a ghost town, surrounded by spiteful, revenge-filled Arvies. Chaos ensues and our death toll rises. Just when we think the end has come, unsuspected help arrives. We are rescued and brought to an underground bunker. They call it Sanctum. With no way of reaching outside help, we must depend on each other to reach our pick-up zone, thirty miles away. If we don’t make it in time, we will be left for dead. Time is ticking. My name is Abigail Park. I am a survivor.
I am where dead children go. Okiku is a lonely soul. She has wandered the world for centuries, freeing the spirits of the murdered-dead. Once a victim herself, she now takes the lives of killers with the vengeance they’re due. But releasing innocent ghosts from their ethereal tethers does not bring Okiku peace. Still she drifts on. Such is her existence, until she meets Tark. Evil writhes beneath the moody teen’s skin, trapped by a series of intricate tattoos. While his neighbors fear him, Okiku knows the boy is not a monster. Tark needs to be freed from the malevolence that clings to him. There’s just one problem: if the demon dies, so does its host.
On Australia’s island state, more than one species of Tasmanian Devil exists… Beneath the surface of Nina Holt’s perfect marriage lurks a life of terror inflicted upon her by her politically powerful husband Michael and his brother Greg, a sadistic detective. For over a decade they have managed to keep Nina imprisoned, using her to satisfy their every whim. Worse still, the only light in her life—her 9-year-old son, Sam—considers Michael a hero. When Sam imitates Michael’s violence by lashing out at her, Nina knows it’s time for both of them to escape before Sam truly turns into the monster Michael is grooming him to become. After crashing her car in her haste to escape, kind motorist Case Herder offers her help. Unaware that he has his own plans for her, Nina accepts, igniting a deadly game of cat and mouse as they flee across Tasmania with Sam. As Michael and Greg relentlessly hunt them down to Cradle Mountain, Nina finds herself with nowhere left to run. Cornered, she has no choice but to face evil head-on.
Victoria McQueen has a secret gift for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. On her Raleigh Tuff Burner bike, she makes her way to a rickety covered bridge that, within moments, takes her wherever she needs to go, whether it’s across Massachusetts or across the country. Charles Talent Manx has a way with children. He likes to take them for rides in his 1938 Rolls-Royce Wraith with the NOS4A2 vanity plate. With his old car, he can slip right out of the everyday world, and onto the hidden roads that transport them to an astonishing – and terrifying – playground of amusements he calls “Christmasland.” Then, one day, Vic goes looking for trouble—and finds Manx. That was a lifetime ago. Now Vic, the only kid to ever escape Manx’s unmitigated evil, is all grown up and desperate to forget. But Charlie Manx never stopped thinking about Victoria McQueen. He’s on the road again and he’s picked up a new passenger: Vic’s own son. Continue reading REVIEW by Jena: NOS4A2 by Joe Hill (@Joe_Hill)
Stephen King returns to the character and territory of one of his most popular novels ever, The Shining, in this instantly riveting novel about the now middle-aged Dan Torrance and the very special twelve-year-old girl he must save from a tribe of murderous paranormals. On highways across America, a tribe of people called the True Knot travel in search of sustenance. They look harmless—mostly old, lots of polyester, and married to their RVs. But as Dan Torrance knows, and spunky twelve-year-old Abra Stone learns, the True Knot are quasi-immortal, living off the steam that children with the shining produce when they are slowly tortured to death. Haunted by the inhabitants of the Overlook Hotel, where he spent one horrific childhood year, Dan has been drifting for decades, desperate to shed his father’s legacy of despair, alcoholism, and violence. Finally, he settles in a New Hampshire town, an AA community that sustains him, and a job at a nursing home where his remnant shining power provides the crucial final comfort to the dying. Aided by a prescient cat, he becomes “Doctor Sleep.” Then Dan meets the evanescent Abra Stone, and it is her spectacular gift, the brightest shining ever seen, that reignites Dan’s own demons and summons him to a battle for Abra’s soul and survival. This is an epic war between good and evil, a gory, glorious story that will thrill the millions of devoted readers of The Shining and satisfy anyone new to this icon in the King canon. Continue reading REVIEW by Jena: Doctor Sleep (Sequel to The Shining) by Stephen King (@StephenKing)
Upon a dark and blood-filled hour, humanity’s doom will rise to power.
Werewolves are real. They haunt the woods of North America, feeding on the bodies of humans stupid enough to blunder across their paths. Once rogue and uncoordinated, the rise of their goddess Alsvinth has brought them all together, with one goal: destroy as much of the species as necessary to enslave them within meat farms, to feed the werewolf army taking over the world.
Olivia, a werewolf from western Canada, and her brother Charlie set out to kill the goddess and save humanity.
But can the werewolf and human destroy the goddess’s power, or will she prevail and turn the planet into a wasteland?
“We are such stuff as dreams are made on; and our little life is rounded with a sleep.”
“In his house at R’lyeh dead Cthulhu waits dreaming.”
Howard Phillips Lovecraft.
In the same putrid vein as Pride and Prejudice and Zombies, Shakespeare v. Lovecraft slithers hideously onto the literary mash-up scene, whispering of cosmic horrors and eldritch tales whilst espousing sweet soliloquys and profoundly contemplating mankind’s place in the universe.
Prospero, driven dangerously insane by prolonged exposure to the dread Necronomicon, makes a terrible pact with the titanic alien beast known only as Cthulhu. Now only his enchantress daughter Miranda and a handful of history’s greatest heroes are all that stand between humanity and blasphemous eternal subjugation.
It’s a bloodbath of Shakespearean proportions as Cthulhu and his eldritch companions come at our protagonists from all manner of strange geometric angles in a hideous and savage battle for supremacy.
Elise Kavanagh doesn’t want to hunt demons anymore. It’s been five years since she killed her last enemy, and life has been quiet since then. She went to college. Got a job, and then lost it. Made a friend or two. Lived a normal life. Now her former partner, a powerful witch named James Faulkner, wants Elise to fight one more time. The daughter of a coven member has been possessed, and Elise is the only exorcist nearby.
Becoming a hero again would mean risking discovery by old enemies. But digging into the case reveals that it might already be too late–bodies are disappearing, demons slither through the night, and the cogs of apocalypse are beginning to turn once more. Some enemies aren’t willing to let the secrets of the past stay dead…
NOTE: This is a new edition of Death’s Hand that integrates the text of Death’s Avatar, effectively combining both stories into one book. For readers already familiar with The Descent Series, there’s nothing new here. For newcomers to the books — enjoy. 🙂
Claire has her share of challenges. Like being a genius in a school that favors beauty over brains; homicidal girls in her dorm, and finding out that her college town is overrun with the living dead. On the up side, she has a new boyfriend with a vampire-hunting dad. But when a local fraternity throws the Dead Girls’ Dance, hell is really going to break loose.
College freshman Claire Danvers has had enough of her nightmarish dorm situation, where the popular girls never let her forget just where she ranks in the school’s social scene: somewhere less than zero.
When Claire heads off-campus, the imposing old house where she finds a room may not be much better. Her new roommates don’t show many signs of life. But they’ll have Claire’s back when the town’s deepest secrets come crawling out, hungry for fresh blood.
16-year-old Brin Skar hates everything to do with the supernatural, so the obsessive film geek isn’t happy when she discovers that her junior year Film class at Grisly High is devoted to the horror genre. She’s even more disconcerted when she learns that six groups in the class will be writing and directing their very own horror movies. Brin and five classmates travel to Bodie Ghost Town in California to shoot their creepy film, but they soon find themselves fighting a real terrifying threat when a clan of mean, bloodthirsty vampires emerge from beneath the surface and start attacking the group. The teens, headed by Brin and the egotistical director Anaya Frost, have no help from the outside and become outnumbered by the vampires a hundred to one. But when Brin meets Paul, a helpful and smoldering vampire outcast who’s had enough of his shameful life, she realizes he might be the only key to her survival.
Picking up where The First Days ends, Fighting to Survive features the further zombie-killing, civilization-saving adventures of a pair of sexy, kick butt heroines and the men who love them. A hundred or so survivors of the zombie plague have found tenuous safety in the walled off center of a small Texas town. Now the hard work of survival begins—finding enough food; creating safe, weather-resistant shelter; establishing laws; and fighting off both the undead who want to eat them and the living bandits who want to rob and kill them.
Is this the end of the world? Is the Rapture upon us? Has a Zombie Apocalypse arrived? That’s a matter of opinion, but it doesn’t hurt to be a licensed Shooter in these uncertain times.
Meet Stan Norton – a middle-aged Shooter with a haunting past. He wants little to do with the living dead, and less to do with the living, until that is, a mysterious young woman with an affinity for guns and martial arts enters his life. An adventure begins, and the hunt is on for a reclusive enemy, as the clock ticks down toward a full-blown resurgence of the Corpse Days.
In the heart of Atlanta, Georgia, the Michaluk Virus has escaped the CDC, and its effects are widespread and devastating. Most of the population of the southeastern United States have become homicidal cannibals. As society rapidly crumbles under the hordes of infected, three people—Ethan Bennett, a Memphis police officer; Cade Alton, his best friend and former IDF sharpshooter; and Brandt Evans, a lieutenant in the US Marines—band together against the oncoming crush of death and terror sweeping across the world.
As Cade, Brandt, and Ethan hole up in a safe house in Tupelo, others begin to join them in their bid for survival. When the infected attack and they’re forced to flee, one departs to Memphis in search of answers while the others escape south to Biloxi, where they encounter more danger than they bargained for. And in Memphis, the answers that one man finds are the last answers he wanted, answers that herald a horrific possibility that there may be more to this virus than first suspected.